Anna is 40. She is always in a rush. She has three children, a husband, a job and financial stress. Anna meets deadlines, makes promises, takes care of things, brings stuff home and remembers everything. But she never catches up with her husband. She feels she is losing him.
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It’s a confidently and naturalistically helmed feature debut by Zsófia Szilágyi (a former student of and assistant to Academy Award nominee Ildiko Enyedi) delivered in a precisely detailed, unhurried, hyper-real way.
It’s a stunning and brutal examination of the type of labour that usually takes place behind the scenes: the emotional and domestic ‘work’ of motherhood; the tasks that Anna ceaselessly performs to keep the machine of the house running. The hells move in cycles (of lice).