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Pans Labyrinth

El laberinto del fauno

Spanien, Mexiko, 2006
Drama, Fantasy, Thriller

Darum geht's

1944: Die kleine Ofélia zieht mit ihrer schwangeren Mutter zu ihrem Stiefvater, einem skupellosen Offizier des Franco-Regimes. Seine Grausamkeiten lassen Ofélia immer wieder in eine geheimnisvolle Fantasiewelt flüchten, die von wundersamen, schaurigen und mythischen Fabelwesen bevölkert ist.

Darum sehenswert

Diese Kombination aus ambitioniertem, aufregendem Spektakel und einer kompromisslosen Vision Spaniens nach dem Bürgerkrieg ist ein wahrlich dunkles Märchen. Die Mischung aus Fantasie und Politik macht del Toros Meisterwerk jetzt schon zu einem modernen Klassiker. Gewinner von drei Oscars!

Pans Labyrinth Regie Guillermo del Toro

Auszeichnungen & Festivals

Academy Awards

2007 | 3 Gewinne unter anderem: Best Achievement in Cinematography

2007 | 3 Nominiert unter anderem: Best Writing, Original Screenplay

Independent Spirit Awards

2007 | Gewinner: Best Cinematography

2007 | Nominiert: Best Feature

For American audiences who encountered the movie first as young teenagers and have in effect grown up with it, Pan’s Labyrinth remains a waymark, an intensely remembered catharsis of pubertal misery and lostness. My daughter, around thirteen when she first saw it, had her secret internal chaos affirmed with a mythic gravity. This is how myths work—by branding our own raw sense of life’s whirlwind with the fire of an epic travail.
October 18, 2016
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A transcendent work of art. Del Toro’s gratifying surreal and fantastical instincts now have an unstinting moral eye on the world. Saying a filmmaker has matured suggests he’s forgone what made him so entertaining in the first place. But in evolving with this voluptuously realized film, with its omnipresent dangers, Del Toro has simply refined the deftness of his storytelling. A beautiful film about ugliness, “Pan’s Labyrinth” is still pure del Toro, but he gazes through a grim historical lens.
January 12, 2007
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Del Toro’s adherence to a single genre in Pan’s Labyrinth, for which he wrote the screenplay, makes the film impressively personal and original. As a rule, horror-movie fantasies grow out of some version of humdrum reality, but there’s nothing remotely humdrum about the reality underlying Pan’s Labyrinth.
January 05, 2007
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