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Bewertungen & Beurteilungen

  1. Aardsy's rating of the film Wer erschoß Salvatore G.?

  2. film_lies101's rating of the film Wer erschoß Salvatore G.?

    The structure may not be original, the content is downright revolutionary

  3. Daniel S.'s rating of the film Wer erschoß Salvatore G.?

    Firstly, there's Sicily with its rocks, its heat, its poverty and its white villages. Then, there are Sicilians, women in black, shepherds dressed in rags, opportunistic Mafia Dons and corrupted police officials. At last, there's Salvatore Giuliano. He's the main character of the film but we only see him dead. A brilliant idea. Masterpiece.

  4. dionysus67's rating of the film Wer erschoß Salvatore G.?

    Combining with admirable astuteness politics, epistemology (the construction of truth) and sociology (of the Sicilian stratification), Rosi's neorealist motifs are transferred to a formal language of stasis (an influence on Angelopoulos) with a circular narrative of regress: the initial frame of Giuliano is now occupied by the mafioso. With a stunning Pasolinian mourning scene, it's a monumental film about truth.

  5. Jugu Abraham's rating of the film Wer erschoß Salvatore G.?

    Interesting neo-realistic, quasi-documentary film with notable editing. But did it deserve the Best Director award at Berlin over Bergman's "Through a glass darkly"? The Swedish film was markedly superior. Scorsese likes it because he can identify with the Italian politics and sociology of that time. The Rosi film is good but overrated.

  6. Fabio Osvaldo Carta's rating of the film Wer erschoß Salvatore G.?

  7. FISCHER's rating of the film Wer erschoß Salvatore G.?

    Incontestable chef-d'oeuvre du Septième Art, entre "documentaire" implacable, excellent film politique et imparable leçon de cinéma, qui confirme un réalisateur transalpin devenu désormais incontournable... www.cinefiches.com

  8. Emil Kurjak's rating of the film Wer erschoß Salvatore G.?

  9. Andrew Miller's rating of the film Wer erschoß Salvatore G.?

    Being honest here, I couldn't quite follow the film, but was carried along by its energy. Would be worth revisiting with some research in hand.

  10. HSBilly's rating of the film Wer erschoß Salvatore G.?

    it set around people who involved with salvatore giulano, and here, giulano shown as corpse and offscreen ghost. great decision.

  11. CarlosEsquives's rating of the film Wer erschoß Salvatore G.?

    La muerte de Salvatore Giuliano como excusa para realizar una radiografía social. La Silicia a mediados de los 40 como espacio en conflicto. La mafia, la policía y los militares como agrupaciones reconociéndose en un medio traidor y oportunista. Hay una reflexión sobre la impunidad de los lugareños, víctimas de las cacerías a los bandoleros, quienes empezaron como políticos radicales y terminaron como delincuentes.

  12. Dignan's rating of the film Wer erschoß Salvatore G.?

    The trial scenes are well shot.

  13. Giulia Galbarini's rating of the film Wer erschoß Salvatore G.?

    The cinematographer was Gianni Di Venanzo, who shot many of the greatest Italian pictures of the ’50s and ’60s, including Antonioni’s L‘eclisse and Fellini’s 8½.

  14. Ozu_Teapot's rating of the film Wer erschoß Salvatore G.?

    Excellent exposé of political corruption revealed by the investigation into the death of the titular bandit Salvatore Giuliano.

  15. nital kalen's rating of the film Wer erschoß Salvatore G.?

    police, soldier, mafia, and politics casting performance very good

  16. Silenzio's rating of the film Wer erschoß Salvatore G.?

    I think all political films should be measured against this one. The structure is superb as the facts are presented almost like newspaper articles but the film always remains extremely cinematically intriguing. A masterpiece