Internationally acclaimed filmmaker Béla Tarr’s epic rendering of László Krasznahorkai’s novel about the decline of Communism in Eastern Europe is a unique and visionary masterpiece that defies classification and transcends genre.
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The film unfolds in minute detail, far more concerned with the lives of the inhabitants than with the ostensible story at its centre. With its labyrinthine structure (which twists, turns and falls back in on itself), Sátántangó demands to be seen in a single sitting.
Tarr sarcastically depicts society as a weak, ineffectual construct meant to provide structure and purpose in a purposeless world. SÁTÁNTANGÓ is a brilliant, haunting opus that knows more about us than we know ourselves.