Hitchcock's inspiredly controlled camera work, in which he treats the visiting Uncle Charlie (Cotten) and the Santa Rosa niece Charlie (Wright) as dopplegängers of the same restless spriit makes their relationship one of the most profound in cinema. Wright, representing regional innocence, gives her finest performance, and Cotten, as the suspected Merry Widow murderer and a figure of cosmopolitan evil, puffs evocative smoke rings around his role.
Andrew Sarris
August 8, 1987