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Sowjetunion, 1972

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Psychologe Kris Kelvin wird zum Planeten Solaris geschickt, um mysteriöse Ereignisse auf der dortigen Forschungsstation aufzuklären. Nach dem berühmten Roman von Stanislaw Lem, erzählt Andrej Tarkowskij eine philosophische Fabel über Liebe, Tod und Auferstehung.

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Solaris Regie Andrei Tarkovsky
It has so many sequences that are unique and unforgettable, like the part where the characters float in the library or when the wife comes back to life and then breaks apart as if she were made of glass. And there’s the idea of this spaceship floating on top of a strange ocean that seems to have some form of consciousness. All of those ideas are so strange and beautiful.
June 01, 2018
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In adapting Lem’s book, Tarkvosky develops a complex structure of flashbacks, dream sequences, and fantasies that are at times indistinguishable from the ‘actual’ events of the plot, and alternates between color and black-and-white cinematography to further alienate us from the narrative flow.
May 26, 2017
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For a movie set primarily on a half-abandoned space station, Tarkovsky’s third film is more about the tangled webs of human memory, consciousness, and the lasting impressions of guilt and grief than rocketships, alien probes or even aliens themselves… Colorful, strange, brooding and evocative, Russia’s answer to 2001: A Space Odyssey reaches its climax in the enigmatic final scene. Is true existence only in the mind? If so, does that make it less important?
May 10, 2017
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