Wunderschönes, faszinierendes, unglaubliches Kino.
“You shouldn’t film us. We’re just common people.” Thus begins Victor Kossakovsky’s mesmerizing, tragic, and raucous portrait of a Russian farm family. Beautifully shot in vintage black and white, The Belovs tells the story of twice-widowed Anna Belova, who lives with her brother Mikhail.
“You shouldn’t film us. We’re just common people.” Thus begins Victor Kossakovsky’s mesmerizing, tragic, and raucous portrait of a Russian farm family. Beautifully shot in vintage black and white, The Belovs tells the story of twice-widowed Anna Belova, who lives with her brother Mikhail.