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2.4
29 Bewertungen

The Confessions

Le confessioni

Italien, Frankreich, 2016
Drama, Thriller

Darum geht's

A G8 meeting is being held at a luxury hotel on the German coast. One of the guests is a mysterious Italian monk, invited by Daniel Rochè, the director of the International Monetary Fund. He wants the monk to receive his confession, that night, in secret. The next morning, Rochè is dead.

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The Confessions Regie Roberto Andò

Auszeichnungen & Festivals

Italian National Syndicate of Film Journalists

2016 | 2 Nominiert unter anderem: Best Director

David di Donatello Awards

2017 | 5 Nominiert unter anderem: Best Original Screenplay

Kritiker-Rezensionen

As played by the charming Toni Servillo, whose ability to project serene detachment is especially effective, Sallus carries the moral force that hovers over the summit and sustains the film’s air of metaphysical something-or-other, but the secrecy that binds him also lets the movie off the hook, allowing its moral agenda to remain both vague and predictable.
May 30, 2017
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Early in The Confessions a spectacular drone shot follows a moving car from above the treetops. Eventually the car arrives at a driveway crowded with news photographers, and the camera leaves it to reveal a huge modern hotel and then move beyond it over ta body of water. Though not as flashy, the rest of the film has the sort of lush cinematography (above) and rich musical score that are familiar from such other recent prestigious Italian productions as The Great Beauty.
October 05, 2016
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It’s a philosophical thriller in which characters contemplate the meaning of time or the concept of creative destruction in international relations. By giving it the aspect of a more traditional whodunit, Andò makes his story enjoyable by the general audience, as his elegant mise en scène and voluntarily classical composition — often perfectly geometrical, with intimate closeups on faces, bolstered by Nicola Piovani’s graceful score — makes the narration instantly readable.
July 05, 2016
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