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Richard Ayoade Großbritannien, 2013

Ari's rating of the film The Double

Camera work, dialogue, high contrast lighting and overall visual aesthetic feels like a big budget student film and quickly becomes tiresome with its obvious & heavy-handed dystopian retro chic straight out of Brazil (a 40s via 80s via 2010s). Film’s sole pleasure is its showcase of Eisenberg’s split acting personalities – the neurotic, shy, sensitive, & awkward versus the egotistical, aggressive, voluble, & smarmy