Wunderschönes, faszinierendes, unglaubliches Kino.
The film incidentally illustrates Cavalcanti’s temperamental differences from John Grierson, and it inadvertently prefigures a modern pattern in British advertising whereby the brand is sent up at the same time as being promoted.
The film incidentally illustrates Cavalcanti’s temperamental differences from John Grierson, and it inadvertently prefigures a modern pattern in British advertising whereby the brand is sent up at the same time as being promoted.