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4.4
17.046 Bewertungen

Zwei glorreiche Halunken

Il buono, il brutto, il cattivo

Regie Sergio Leone
Italien, Bundesrepublik Deutschland, 1966
Western

Darum geht's

Drei Männer treffen sich in einer Geisterstadt und bewegen sich wortlos auf ein Haus zu…

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Zwei glorreiche Halunken Regie Sergio Leone
The wildly stylized cinematography—including some of the most dramatic close-ups in movie history during the climactic standoff—jagged editing patterns, and eerie, all-time great score by Ennio Morricone show Leone at the peak of his powers: harsh, potent, and completely unpretentious, this is genre cinema elevated to the level of enduring art.
April 26, 2018
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Ennio Morricone’s score reached a peak of orchestral ecstasy that is a long way from the lean, ambient soundscape he created for the first film. By then, Leone’s visual approach, so bare-bones in Fistful, had flowered into something almost operatic; watching in sequence, one gets the sense that he felt he had to burn the western to the ground first in order to build something new and spectacular two movies later.
February 15, 2017
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[Leone] made outrageously entertaining movies that reflected a punch-drunk love for American genre fare, the conventions of which he inflated to a near-operatic scale after refracting them through his own unique cultural sensibility. And THE GOOD, THE BAD AND THE UGLY remains the high point of both Leone’s career and the spaghetti western in general.
July 31, 2015
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Was sagen Andere darüber?

  • Jason's rating of the film Zwei glorreiche Halunken

    THE GOOD, THE BAD AND THE UGLY, an alternative title for which might be MY LAST TWO FILMS MADE MONEY BEYOND ANYBODY'S WILDEST IMAGINATION, NOW CHECK THIS SHIT OUT. De actual title is notable for representing a teleology, the three men constituting a part of each of us while also reflecting the 'Geist' of the Civil War wasteland they traverse. And really, man, Leone is simply a popular formalist up there w/ ol' Hitch.

  • dionysus67's rating of the film Zwei glorreiche Halunken

    Rarely has film bent its own logic and style towards self-deconstruction whilst at the same time remaining true to the myth it aimed to serve. Grandeur bombards the viewer from all corners: style, score, character, tension.There is an uncanny aura of WWII iconography (as in the POWs orchestra in the camp) and the 'feminization/sexualization' of Tuco is given in three hilarious yet glorious vignettes. Extraordinary!

  • Nicholas Gregory's rating of the film Zwei glorreiche Halunken

    Watching this amiss the glut of modern superhero films, it's quite striking how much this series has in common with the modern multiplex action film: cheeky one-liners, outrageous action scenes, heavy plotting over storytelling, dark superhero-like anti-heroes, even colorful villains. It shows commercial action films haven't changed as much as some claim, perhaps in setting only. Still better than its ilk, though.

  • Duncan Gray's rating of the film Zwei glorreiche Halunken

    I hadn't watched this since high school, so I was eager to revisit it to see if it was more than just an exercise in movie cool. At first, I found it crueler than I remembered, a work of violent aestheticism without reflection. But as this epic goes on, the way that the nihilistic swagger of its gold-crazy trio bounces off scenes of men ruined by war achieves a peculiar rhyme. Hell, the finale is almost heartwarming.

  • FilmEdie's rating of the film Zwei glorreiche Halunken

    Extra delightful, after learning the sociopolitical context of Spaghetti Westerns - as an adult - to realize that my childhood exposure to Americana was stacked with so much beautiful subversion. Well played, Leone et al.! As if I needed more reasons to love this... Such a sucker for this aesthetic (the framing, the close-ups, the score!!) File under Top 20 Movies I'll Never Tire of Watching.

  • ASHES IN THE HOURGLASS's rating of the film Zwei glorreiche Halunken

    It's like Psycho but in reverse. The second half is off the charts amazing and had it been just that, it would have been one of the greatest thing ever. But then I consider the fact that it literally takes 90 minutes before the main macguffin actually gets introduced. No wonder this is Tarantino's favorite film, it's padded worse that any of his own work. Thankfully, there's always ONCE UPON A TIME IN THE WEST.

  • mpho3's rating of the film Zwei glorreiche Halunken

    GBU started to lose me about half way. I clung on primarily because of my love for the Once Upon a Time in the West, but a 2-hr runtime would have suited me just fine. I also got a history refesher with the conflation of the wild west and the Civil War. I had forgotten those eras overlapped.

  • Harry Rossi's rating of the film Zwei glorreiche Halunken

    This is it. Leone's masterpiece. Just rewatched it for the nth billionth time and it never ceases to amaze me. It's technically perfect, huge and epic in scale, and arguably the most entertaining movie ever made. The score by Morrcione is my favorite score ever written and the visuals are just astounding. All three leads are just electric onscreen. This will always be one of my favorite films ever made. End of story.

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