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3.8
813 Bewertungen

Rififi am Karfreitag

The Long Good Friday

Großbritannien, 1980
Krimi, Thriller

Darum geht's

Harold, a prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places…

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Rififi am Karfreitag Regie John Mackenzie

Auszeichnungen & Festivals

BAFTA Awards

1982 | Nominiert: Best Actor

Los Angeles Film Critics Association Awards

1982 | Zweiter Platz: Best Foreign Film

Edgar Allan Poe Awards

1983 | Gewinner: Best Motion Picture

Watching Harold intimidate, crack wise (this movie is very, very mordantly funny), break down with Victoria (Mirren is more than just a moll here – she’s intelligent, strong and vulnerable too) while this gripping and prescient story unfolds is an enthralling joy, indebted to the brilliance of Hoskins and the excellent, at times, poetic script by Barrie Keeffe.
June 23, 2017
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The director, John Mackenzie, uses an elegant stylistic effect to make his point, so that we get it subliminally before we are anywhere near working out its contours. The camera keeps arriving at a scene – a country cottage seen from a small distance, the interior of the same cottage glimpsed through its windows, a swimming pool, the pub that is about to be blown up – when nothing has yet happened there. The technique makes the very idea of seeing ominous.
June 29, 2015
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Great actors are often able to display great range. But the real trick is projecting both ends of the emotional spectrum within a single moment. Maybe that’s what critical parlance has characterised as “inner conflict”, and there’s a great example to be found of this in John Mackenzie’s 1980 Brit gangster saga, The Long Good Friday, especially in the form of the late, very great character actor, Bob Hoskins.
June 19, 2015
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