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Christian Petzold Deutschland, 2003

suede's rating of the film Wolfsburg

It's remarkable for a film with such a contrived plot to be psychologically this captivating and ultimately feel so hauntingly poetic. Automobile soundscapes beautifully interweave with Fürmann and Hoss's marvellous screen presence and German non-places. This film isn't called "Wolfsburg" for no reason.