Reseñas de la crítica

Whereas I Saw the Devil was relentlessly violent and mean-spirited, Cobweb has a softer heart, and fixates on sloppier ensemble staging and to-the-hilt acting performances to the detriment of Kim’s considerable skills with the camera, and his ability to manipulate audience attention in a quasi-Hitchcockian manner.

Slight-but-entertaining... “Cobweb” doesn’t equal the films that made Song the new king of Cannes, but it certainly has style to burn and plenty to admire.

[Cobweb is Kim Jee-woon's] loosest, least substantial and most slapdash film in quite some time... it’s a movie of many layers, all of them garish and goofy, none of them great.

[Cobweb is] a delightfully silly portrait of the filmmaking process. This affectionate hoot hardly breaks new ground with its film-within-a-film structure, but the South Korean auteur attacks the material with such good cheer, populating the story with a collection of daffy dreamers, that it’s easy to root for these characters.