“The way I work is generally scale-less as an idea. I tend to start with a metaphor or a feeling, something really vague. Then comes a sketch of something in space, some notion of space, or more accurately the notion of the intersection of space between it, it’s interiority, and the relation of the context of where it is. Just purely conceptually and it’s nothing to see yet. It might just be a few lines or a blotch. Then comes the idea of what is it. Is it art, engineering, or an architecture piece? Then comes the functionality, then comes the choice of scale. Once you choose scale, the material locks in. If it’s very small its thread or wire. If its humongous, its steel or trusses. Then comes configuration of scale. Last of all would be structure — actual structure as it means to an architect today. The actual skeleton, the actual thing is the last thing. If you start with that at all, you’ve lost the building. You’ve lost the spirit, you’ve lost what the building can do.”