“There are two roads that younger filmmakers can follow: They can go directly to what is current, and that’s a valuable thing to do. Or they can take my approach, which is to choose a subject to one’s liking and deal with it in a way that the politics and point of view stand out. As you know, I don’t follow the headlines. My films are political, but they’re not of the moment. I think there are going to be plenty of filmmakers who are going to do things like that (of the moment) right now, based on what’s happening. But I don’t. I’m not going to change my ways because of this situation.”