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“I was particularly intrigued by the “doubleness” of acting—actors’ studied non-attention to their audience. This interest carried over into Manakamana—I’m watching the subjects’ awareness of their world, and how it shifts to acknowledge the passing landscape, other passengers, and private thoughts, before occasionally, obliquely returning to the camera, which is so clearly staring at them yet is… Leer más
“I was particularly intrigued by the “doubleness” of acting—actors’ studied non-attention to their audience. This interest carried over into Manakamana—I’m watching the subjects’ awareness of their world, and how it shifts to acknowledge the passing landscape, other passengers, and private thoughts, before occasionally, obliquely returning to the camera, which is so clearly staring at them yet is never explicitly addressed.” Leer menos
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