Twelve years after career criminal Trojan fled Berlin, his search for jobs leads him back to the city, where his traditional methods are increasingly out-of-step in the capital’s tech-centric underworld. He eventually lands an old-school job to steal a painting—but the job soon goes off the rails.

El aclamado filme In the Shadows de Thomas Arslan adaptó el cine de atracos a Berlín en el capitalismo tardío y esta secuela observa el ocaso de viejos delitos. Bajo las superficies negras y pulidas del crimen, los ladrones de arte lidian con el declive de los rendimientos del trabajo moderno.