Reseñas de la crítica

Haneke expresses his despair through a cold, inquiring style where the camera rarely moves and the cuts between scenes are hard and disorienting. Bresson’s L’ARGENT is a likely point of reference, but the avant-garde flourishes make this distinctive.

[71 Fragments shows] Haneke's willingness to experiment with the form and challenge the way audiences receive information.

Formally and conceptually, the film is one of the most challenging narrative works of the 1990s.