Too emotionally dry to embrace but too ingenious to dismiss, Che is a fascinating, problematic film. You have to admire the stones of any movie that opens with a wordless lecture on Cuban geography but refuses to give any specifics about Castro's revolution, yet there's also the temptation to overpraise Soderbergh's structuralist approach more for what it eschews (speeches, romance, identification) than for what it offers.
Ed Gonzalez
enero 15, 2010