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Noli Manaig's rating of the film China Not China

Processual in sum, perhaps. But the horror vacui that fills the screen, the density of a specific urban life, does it exhale a clear-cut air of philia or phobia? A metaphysics of presence? A metaphysics of difference? Either/or? Neither/nor? Take your pick if this Derridean indeterminacy will allow it. The montage though looks meticulous enough.