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3.991 Calificaciones

Ex machina

Dirigida por Alex Garland
Reino Unido, 2014


A computer programmer is invited by his company’s eccentric CEO to help evaluate the intelligent behavior of an advanced and beautiful lifelike female robot.

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Ex machina Dirigida por Alex Garland


Academy Awards

2016 | Ganador: Best Achievement in Visual Effects

2016 | Nominado: Best Writing, Original Screenplay

Village Voice Film Poll

2015 | 4 nominaciones incluyendo: Best First Feature

Indiewire Critics' Poll

2015 | Segundo lugar: Best Supporting Actress

2015 | 2 premios finalistas incluyendo: Best First Feature

2015 | Nominado: Best Screenplay

National Board of Review

2015 | Ganador: Top Ten Independent Films

Much of Ex Machina’s criticism has hinged on whether it’s a feminist revenge parable or an objectifying robot fantasy, but both readings threaten to flatten the complexity that we, like Caleb, are asked to feel without explaining… The moment in the hallway, in its partiality and mysteriousness, has no earlier model. Amid all the film’s unmaskings and sexual clichés, this, the mutual recognition between Ava and Kyoko, is the film’s greatest accomplishment: the true singularity.
April 21, 2017
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Elongating 25 minutes worth of story with the help of some heavy robo-petting and Oscar Isaac’s technologist speechifying, Garland takes some old Twilight Zone tropes for a spin. But that déjà vu is precisely the point. Like Steve Jobs channeling Rod Serling, that familiarity is why EX MACHINA gets under our skin.
May 13, 2016
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Women’s captivity is the great theme of most of 2015’s Oscar-nominated films, and Ex Machina is the most basic and manipulative of these, the tale of a hapless john sent on a bizarre mission by a pimp to see if he can free his whore. The sordidness is made oblique because the characters are a programmer, a genius CEO, and a pixie android, and it’s set in a sterile underground lab.
February 25, 2016
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