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Francia, 1932


When the young Fanny finds she is pregnant, she considers her options: commit suicide, raise the child on her own, wait for the real father to return, or to marry Honoré Panisse, the older merchant who seeks her hand…

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Fanny Dirigida por Marc Allégret, Marcel Pagnol
The three films are subtly different… Allégret’s is airier, more French, more relaxed, and more attuned to landscape.
June 20, 2017
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The claustrophobia of the framing works to thematize Pagnol’s overarching examination of how social mores in tight living quarters are passed from one generation to the next. The structure of the films repeatedly make this point, so that Fanny plays much like a remake of Marius, even though it picks narratively up where the first film leaves off.
June 20, 2017
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The “girl woos boy, girl loses boy” plot at the center of Marius (1931), Fanny (1932), and César (1936), playwright-turned-filmmaker Marcel Pagnol’s seriocomic Marseille Trilogy, is the steam engine that drives a marvelous old-school carousel. What makes this tragicomic merry-go-round so intoxicating is not its speed or pace (slow and steady), but the beauty of its weather-streaked, hand-carved figures as they chug up and down and come full circle.
January 05, 2017
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