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Uno de los nuestros

Goodfellas

Dirigida por Martin Scorsese
Estados Unidos, 1990
Biografía, Policíaco, Drama

Sinopsis

Sin miedo a lo enorme de la tarea, el director Martin Scorsese adaptó la biografía del gánster Henry Hill, un libro que cubre más de veinte años de vida en el mundo de la mafia, registrando el dolor, la fractura y el desgarro.

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Uno de los nuestros Dirigida por Martin Scorsese

FESTIVALES Y PREMIOS

Venice Film Festival

1990 | Ganador: Silver Lion

Academy Awards

1991 | 6 nominaciones incluyendo: Best Picture

National Film Preservation Board

2000 | Ganador: National Film Registry

GoodFellas is music. It’s like a concept album. I don’t know which album specifically – but an album all its own. And it’s not just a Martin Scorsese mix-tape, it’s something the director manipulated through his vision – as his own production – he laid the tracks.
December 05, 2018
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It often seems to clasp the key to understanding (second-generation, male) America in an unattainable 1.85:1 crucible… Scorsese’s crucial narrative achievement is the meticulous setting of each sequence to diegetically-appropriate pop music as if it were an arranged marriage, and vividly portrays Hill’s climactic coke/ziti-fueled breakdown as the ultimate Stones/Nilsson megamix.
January 29, 2016
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Scorsese’s realism is a hallucinatory realism, and the most extravagant moment in “GoodFellas” captures the mind-bending force of violence on Henry Hill himself. The younger man’s bravado ultimately gives way to a middle-aged man’s paranoia, and, in a scene where he fears for his life, Scorsese creates an image—one of the most inspired moments in his career—that’s borrowed directly from Alfred Hitchcock’s “Vertigo.”
June 19, 2015
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