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2.019 Calificaciones

¡Ave, César!

Hail, Caesar!

Dirigida por Ethan Coen, Joel Coen
Estados Unidos, Reino Unido, 2016
Comedia, Misterio


Hail Caesar! follows a day in the life of Eddie Mannix, a Hollywood fixer for Capitol Pictures in the 1950s, who cleans up and solves problems for big names and stars in the industry. But when studio star Baird Whitlock disappears, Mannix has to deal with more than just the fix.

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¡Ave, César! Dirigida por Ethan Coen, Joel Coen


Academy Awards

2017 | Nominado: Best Achievement in Production Design

Village Voice Film Poll

2016 | Nominado: Best Supporting Actor

Indiewire Critics' Poll

2016 | Nominado: Best Supporting Actor

National Board of Review

2016 | Ganador: Top Ten Films

Watch it again. As with every Joel and Ethan Coen picture, there’s a lot more going on here than wacky comedy and Hollywood hijinks — chiefly many questions about spirituality, politics and movie making (watch Jesus on the cross ask if he’s a principle or an extra, consider the godhead, what about Das Kapital “with a K”… )
December 31, 2016
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Each adventure suggests a portal into another world, culminating with a quotation of a shlock Bible movie that mirrors the concerns of Hail, Caesar! The film reveals itself to be a religious quandary, then, like the Coens’ A Serious Man, except directed toward cinema—an art built on exploitation and hypocrisy that offers illusion as personal salvation while affirming an enslaving status quo.
June 20, 2016
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Hail is a comedy of stasis in which a new, sunnier Coenian cynicism rules. Mannix reaffirms his belief in the system (the studio system, that is) and restores its functioning order. All is for the best in this best of all possible make-believe worlds. Yet the Coens’ vision may not be as witheringly post-ideological as it first appears; the possibility of a Pauline conversion or a Spartacist slave revolt lingers after the movie ends.
April 19, 2016
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