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AHORA SON 13

Steven Soderbergh Estados Unidos, 2007
For the most part, Ocean's Thirteen reverts to the breezy, weightless antics—charismatic men plotting byzantine schemes in exotic locales—that made Eleven such forgettable fun. If Steven Soderbergh were less industrious, I'd be annoyed with him for wasting his talent on such piffle. Given his penchant for bizarre experiments like Bubble and The Good German, however, I suppose he's earned the right to coast every third movie or so.
junio 7, 2007
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To call the Ocean's films frivolous would be kind, implying that these arduous concoctions are somehow light on their proverbial feet. The prevailing mood is one of inconsequence, but these films also come off as insensitive, so beholden are they to a very specific kind of celebrity-culture tunnel vision.
junio 6, 2007
Thematically, though, this is an improvement on its forebears, mainly due to the way it deals – much like Scorsese's best work – with the archaic nature of the criminal set: gadget men puzzled by advancing technology; eyes rolled at witty one-liners; action sequences cut through with ruminations on ‘the good old days'.
junio 5, 2007
Predictably adolescent and smarmy, with the mix of sentimentality and cynical flippancy that's becoming Steven Soderbergh's specialty (even when he's pretending to make art films), this is chewing gum for the eyes and ears, and not bad as such.
junio 1, 2007