Películas hermosas e interesantes

Entérate de lo que hay en cartelera

Reseñas de la crítica

ENEMIGOS PÚBLICOS

Michael Mann Estados Unidos, 2009
[DP Dante] Spinotti didn't sputter when he returned for the digitally shot Public Enemies, Mann's moving John Dillinger epic, in which the grain and ease-of-movement of the imagery prove a perfect match with the Tommy Gun popping and Johnny Depp's exit strategy-eyeing, doomed "dark currents" (in Mann's words).
febrero 4, 2016
Leer el artículo completo
It helps that Public Enemies doesn't look like any movie ever made, aside from Mann's own subsequent Blackhat. It's shot largely on location in a nervy, abstracted off-the-cuff digital style, which has the effect of making everything seem at once immediate and totally unfamiliar—never more dazzlingly than during the shootout at the Little Bohemia Lodge, one of the most visceral depictions of gunfire to ever grace a screen.
enero 23, 2015
Even five year later, it feels like no one will ever one-up Mann's grammatical understanding of digital filmmaking. With Public Enemies, Mann opened up a whole world of possibilities for the future of filmmaking... Public Enemies is not only one of the most concise action films of the last decade, but also an incredibly knowing look at the American dream.
enero 5, 2015
There is more poignancy in the romance between Depp's Dillinger and his half-French hatcheck girl pickup, Billie Frechette, played by Marion Cotillard with just a touch of Piafian pathos, than in any of the gangster films of the period. This is underlined in the film by Billie Holiday's plaintive singing of "Bye Bye Blackbird," the song that serves as a stirringly emotional echo at the finale.
septiembre 1, 2009