Having enjoyed ARRIVAL, we went back in time and watched director Denis Villeneuve’s previous hit. SICARIO. It’s very impressive, but we were less convinced by the “human killing machine” tropes which climax it than we had been by the hellish drug war developments of the first two acts. Shot by the always-impressive Roger Deakins, it has a more classical style than ARRIVAL with several of the impressive dusk scenes that distinguished NO COUNTRY FOR OLD MEN.
November 28, 2016