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3.6
692 Calificaciones

Deuda de Honor

The Homesman

Dirigida por Tommy Lee Jones
Estados Unidos, 2014
Drama, Oeste

Sinopsis

In the 1850s mid-West, Mary Bee is designated by church members to take 3 women who have lost their minds to a safe haven in Iowa. On the way, she saves the life of outlaw Briggs, a claim-jumper. He helps her in her mission, through perilous encounters and the harshness of the Frontier territory.

Deuda de Honor Dirigida por Tommy Lee Jones
What makes The Homesman a western of great merit and substance isn’t its gorgeous window-dressings or sly subversions in iconography, but the emotional connection it manages to convey through its contemplative treatment of gender, longing and how the two consistently intertwine.
November 21, 2014
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Jones’ visual style is simple and clean, and cinematographer Rodrigo Prieto finds some gorgeous John Ford touches; people shown in black silhouette through barn doorways, or house doorways, with the vast bright landscape beyond, a clear demarcation between interior and exterior, displaying the individual against the sheer size of the land out there.
November 14, 2014
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The longer it goes, the clearer it is that Jones has got hold of something sharp about the West. This leads to a knockout of an ending, in which Briggs becomes the visual embodiment of a famous piece of American folk art, except that now we know the bitterness and loss behind the jolly image. A series of graves—desecrated, ransacked, unmarked—has led to Briggs’s moment of rude hilarity, and Jones won’t let us forget it.
November 03, 2014
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