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The Killers

Don Siegel Estados Unidos, 1964

Duncan Gray's rating of the film Código del hampa

This shouldn't be as fun as it is. The production values are still a TV affair, and where the original was a model of noir construction, long stretches of this one fall apart if you think about it for more than 15 seconds. But Siegel's direction gives it a punchy, weirdly compelling pop-art nihilism. Bonus points for having John Cassavettes punch Ronald Reagan, which may not have meant much in 1964 but sure does now.