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Recorremos el mundo para poder traerte cada mes nuevas películas que proceden de los festivales de cine más prestigiosos. Nuestra serie Descubrimiento Especial presenta de forma exclusiva películas elegidas una a una, dirigidas por cineastas consagrados y, además, presenta el trabajo de algunos de los directores más talentosos que recientemente han aparecido en escena.

La casa lobo

Cristóbal León, Joaquín Cociña Chile, 2018

Reproduciéndose Ahora
28 días para ver

With echoes of animation giants Jan Švankmajer and the Quay Brothers, this gothic Chilean oddity is as nightmarish as cinema gets. Sinuously connecting Nazism and Pinochet, La Casa Lobo subverts the logic of fairy tales and the idea of home, to deliver a phantasmagoric allegory of terrifying beauty.

The Wild Boys

Bertrand Mandico Francia, 2017

expiró hace 8 días

Con alto contraste, en su mayoría en blanco y negro pero con deslumbrantes estallidos de color—el debut de Mandico es una exuberante ensoñación erótica. Tan políticamente incorrecto como para elegir a cinco mujeres en cinco papeles masculinos, este delirio entre géneros desconcierta y embruja.

Djon África

Filipa Reis, João Miller Guerra Portugal, 2018


Los cineastas João Miller Guerra y Filipa Reis nos traen, con su ojo documental, esta obra semi-ficticia—una investigación lúdica pero profunda sobre el pasado colonial de Portugal de cálida autenticidad y con una irresistible música. ¡Djon África podría ser el antihéroe que necesitamos este verano!

The Rise and Fall of a Small Film Company

Jean-Luc Godard Suiza, 1986


¿Una película de Godard con Jean-Pierre Léaud que no sabías que existía? Sí. En su momento, fue un encargo para la televisión francesa y emitida una sola vez en 30 años.: una oda tristemente abandonada al lado B. La nueva restauración le ha dado a esta joya del 86 la vida cinematográfica que merece.

Adiós Entusiasmo

Vladimir Durán Argentina, 2017


Cada familia tiene su reglamento. Influenciada por Martel y Lanthimos So Long Enthusiasm se sumerge en lo extraño y desafia nuestra idea de normalidad a traves de la dinámica filial, la claustrofobia y el surrealismo, como si de invocar a Kafka se tratase. Inquietante, sensible y asombroso debut.

Casa Roshell

Camila José Donoso México, 2017


If there’s a word that encapsulates Donoso’s approach to the transgender community of Casa Roshell, that is empathy. Echoing the utopic, non-judgemental atmosphere of the idiosyncratic club, her camera allows people to be who they want to be. A dreamy celebration of identity, an oasis of freedom.

The Dreamed Path

Angela Schanelec Alemania, 2016


We close our Angela Schanelec focus with the online premiere of her latest film, The Dreamed Path. Through Bressonian fragmentation, the Berlin School auteur delivers a puzzling, elliptical anti-love story, and keeps challenging our notion of narrative with her radical, quietly masterful filmmaking.

The Nothing Factory

Pedro Pinho Portugal, 2017


A powerhouse debut with an ambitious subject—the throes of European capitalism—dramatized with practical and engrossing storytelling. We see a labor dispute in all its detail of passion and conflict—drama that attracts drama, and even a song! A tremendous evocation of the struggle to work and live.

The Night I Swam

Damien Manivel, Igarashi Kohei Francia, 2017

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Joining the pantheon of great childhood films, Manivel and Igarashi’s Japan-set miniature is a disarmingly tender (and funny!) tale of adventures that plays with the perception of time and space, putting us in the shoes (snow boots!) of a six-year-old. An ode to solitude, without the need of words.

Bright Nights

Thomas Arslan Alemania, 2017


Berlin School veteran Thomas Arslan’s return to the German festival’s competition is a majestic yet intimate father-son road movie. With unassuming minimalism and a breathtaking use of landscape, Arslan charts both a geographical and an emotional journey infused with serene, affecting melancholy.


Michael Glawogger, Monika Willi Austria, 2017


“The most beautiful film I could imagine is one which would never come to rest," said Michael Glawogger of this epic, free-floating documentary project—but malaria struck him down during shooting. Monica Willi, his and Haneke’s editor, crafted the final, global vision, made of extraordinary footage.

A Decent Woman

Lukas Valenta Rinner Argentina, 2016


Nodding to Greek Weird Wave’s godfather Lanthimos and Austrian provocateur Seidl, Valenta Rinner finds a voice of his own depicting Argentina’s class tensions in this hilariously deadpan social satire. A perfect blend of mordant humour, formal meticulousness, eccentric anarchy and nudist tableaux.

Self-Criticism of a Bourgeois Dog

Julian Radlmaier Alemania, 2017


Communism, filmmaking, and the male gaze—Julian Radlmaier’s fantastical debut entirely lives up to (and delivers on) its astounding title. With welcome flourishes of humor, unreality and an incisive critique of political filmmaking, it resembles what a young Buñuel would have made of today’s Europe.


Léa Mysius Francia, 2017


One of the best debuts of the year lands on MUBI! Premiering in Cannes in May, Mysius’ beguiling exploration of female sexuality and teenage fears is a life-affirming, infectious blend of ravishing colors, whimsical humor and the dreamy melancholy of a transformative summer. Bonus: that soundtrack!


Sion Sono Japón, 2016

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Following Wet Woman on the Wind, we bring you the latest Nikkatsu Roman Porno reboot. Genre-bending Japanese provocateur Sono Sion (Love Exposure) flips his assignment on its head, transforming his softcore film into a candy-colored, fourth-wall-breaking exposé of the sex (and art) industry.

Wet Woman in the Wind

Akihiko Shiota Japón, 2016

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Nikkatsu is rebooting its legendary Roman Porno series, giving different directors creative freedom in exchange for thriftiness and a healthy dose of sex. The first of these softcore art films (or arty softcore films, if you wish!), is Akihiko Shiota’s slapstick comedy, a breezily playful delight.

Under Electric Clouds

Aleksei German Ml. Rusia, 2015


A grandiose vision of Russia’s future (in fact, 2017!) by Aleksei German Jr., son of the legendary director Aleksei German (Hard to Be a God). As with Zvyagintsev’s Leviathan, a building takes on epic new meaning as different people’s stories whirl around its totemic hulk in this audacious drama.

A German Youth

Jean-Gabriel Périot Francia, 2015


Una película que abre con Godard y cierra con Fassbinder solo puede tener un alma combativa. Rechazando el uso de la narración, el collage de Périot cuenta con impresionantes imágenes de archivo sobre la agitación política de la Alemania de la posguerra, siendo esta hoy una meditación relevante.

One Floor Below

Radu Muntean Rumania, 2015


Dirigido por Radu Muntean, es en La Nueva Ola Rumana donde se encuadra este sutil drama que tuvo su estreno en Cannes. Detrás del tapiz de la cotidianidad en la vida de un hombre, un asesinato ocurrido en su edificio sume su mundo en una mezcla de culpa, sospecha y secretos.

El futuro perfecto

Nele Wohlatz Argentina, 2016


No es muy común que una película sea inteligente y modesta al mismo tiempo. Nele Wohlatz, nacida en Alemania y con sede en Argentina, ha hecho una comedia increíblemente humilde, modestamente inteligente e irresistiblemente cálida, siendo muy empática al captar como se siente un extranjero. Restaurará tu esperanza en la humanidad.

Hello Destroyer

Kevan Funk Canadá, 2016


Canadá se encuentra en medio de un renacimiento: innovadoras películas realizadas por una nueva ola de directores. Con un estilo audaz que recuerda a Michael Haneke, este debut cinematográfico se sitúa en la mismísima vanguardia. Hello Destroyer es un retrato intimo sobre un joven jugador de hockey y una incisiva reflexión que trata la violencia ya institucionalizada.

Brooks, Meadows and Lovely Faces

Yousry Nasrallah Egipto, 2016


Egyptian auteur Yousry Nasrallah deftly weaves between drama, comedy and subtle political insight in this warm and colorful social tapestry. Romantic, business and sexual relationships swirl around a wedding, a grand, music and food-filled event touching all types of people, wealthy and working.

El último imperio

Sergei Loznitsa Holanda, 2015


Sergei Loznitsa has made an astounding documentary from restored footage of the dramatic cavalcade of events during the collapse of the Soviet Union 26 years ago this month: government dissolution, Gorbachev gone missing, and a coup d’etat. Like today, we only know what is presented to the public.

Eldorado XXI

Salomé Lamas Francia, 2016


Not only a stunning ethnographic portrait of a community and landscape, Eldorado XXI is also a haunting, immersive experience—a trance that blends the grandeur of a mythical land with the shadow of colonialism, blurring the limits of cinematic narrative. Please watch on the biggest screen you can.

Scarred Hearts

Radu Jude Rumania, 2016


Romanian New Wave director Radu Jude follows up his award-winning Aferim! with this wry adaptation mixing an author’s writings with his life. Shooting his colorful 35mm production in playfully old fashioned 4:3, this ode to an ingenious and poetic soul is a delightful mix of melancholy and humor.

Le Moulin

Huang Ya-li Taiwán, 2015


With remarkable variety of form and a graceful touch, this expansive yet tremendously sensitive debut by Huang Ya-li is an epic and detailed immersion into a remarkable group of writers in Taiwan. Spanning three decades of political turmoil and war, we movingly watch their struggle to create art.

Over the Years

Nikolaus Geyrhalter Austria, 2015


Acclaimed documentarian Nikolaus Geyrhalter returned to Waldviertel for 10 years to film this one-of-a-kind, sprawling portrait of a region transformed year after year by economic turmoil. You powerfully get to know these people literally across time as they deal with wages and aging.

John From

João Nicolau Portugal, 2015


João Nicolau has become one of the main voices of contemporary Portuguese cinema, next to the likes of Miguel Gomes or João Pedro Rodrigues. This dreamy coming-of-age tale of both epic and intimate proportions—just like first love—is a truly original, enchanting ode to adolescence and fantasy.


Antoine Barraud Francia, 2015


Our second Special Discovery is a never-before-seen version of Antoine Barraud’s Berlinale-fêted Le dos rouge. Wander in Paris’ mesmerizing museums in Bertrand Bonello’s company, which Sarah Winchester’s director roams in search of monstrosity, sharing the screen with some of France’s finest actors.

Sarah Winchester

Bertrand Bonello Francia, 2016


This month’s Special Discovery duo is a pairing with French auteur Bertrand Bonello (Saint Laurent, Nocturama), first behind the camera and then in front. They are also films that approach and integrate other arts: here, a gorgeous, mysterious sketch towards a dark opera rich in dance and music.

Between Fences

Avi Mograbi Israel, 2016


How can a migrant tell his or her story? Documentarian Avi Mograbi has come together with theater director Chen Alon to collaborate with detainees in Israel not only to document their treatment but to work together using Theater of the Oppressed methods to dramatize their incredible experiences.

Silvered Water, Syria Self-Portrait

Ossama Mohammed, Wiam Bedirxan Francia, 2014


“1001 images of Syria, shot by 1001 Syrians,” says Mohammed, an exile in Paris following the traces of his country’s war found online. Later, Kurdish director Wiam Simav Bedirxan sends him footage from Homs. An immensely powerful and moving correspondence between exile and home, images and reality.

The Park

Damien Manivel Francia, 2016

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We are proud to present our first Special Discovery—bringing you gems direct from the world’s best film festivals—the second film by emerging French director Damien Manivel. A minimalist romance charting an entire teenage relationship over the course of a day, by night things turn phantasmagoric.

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