Beautiful, interesting, incredible cinema.
Loosely on Balzac’s Séraphita, Himself as Herself consists of a shimmering, nearly plotless evocation of gender identity in flux, and it contains some of Markopoulos’s most haunting, densely interlaced images.
Loosely on Balzac’s Séraphita, Himself as Herself consists of a shimmering, nearly plotless evocation of gender identity in flux, and it contains some of Markopoulos’s most haunting, densely interlaced images.