Sans hésitation le pire film que j'ai jamais vu. Sans espoir, se complaît dans le glauque et le voyeurisme crasse dans un but très flou (pour choquer ? dénoncer ? documenter ? je ne saisis pas), les deux protagonistes sont molles et antipathiques à souhait, à la limite de l'insoutenable.
Grim, dirty and disconcerting, this is a very natural and seemingly accurate portrait of 1987 Romania. It is guaranteed to make you feel a bit disgusted and annoyed. Some interesting shots, which omit elements and then inventively bring them into the action.
Revisited after years; this may have been the first Romanian film I ever experienced. Having since slowly trudged through generations of RO cinema (perpetually, knees and elbows), this almost feels as if it were made to win gold a la Dardenne-Cannes shimmer sprinkle; polished poster child. Witness this film still, an aesthetic cinematic clinic. Meanwhile, Puiu's debut 6 years earlier is tangible for the tigers. 7/10
What's most surprising is Mungiu's use of thriller tropes to lift what is ostensibly a serious, harrowing drama into a masterfully nailbiting ride - the slow reveal of the villain of the piece is breathtaking, and there's even a wry twist on Chekhov's Gun. The cast is astonishing too - one can only wonder at what Mungiu's direction was during that long, excruciating dinner party scene.
Gripping Romanian New Wave film with affecting performances and set design. A subtext of profound social implication is subtly conveyed through French/Italian social realist innovations including deep focus, mobile hand camera operation, and on location sound. A film of striking verisimilitude in exposing a controversial black market practice. 89/100 - Excellent. (4.5)
Inescapable reality is what makes this film great. With its long takes and depressing atmosphere, we are forced into protagonist Otilia's state of mind as she is repeatedly tormented over the course of a day that will haunt her for life; and we as an audience know all too well that her fate could've fared far better, had she not been an incredible friend. Absolutely disturbing and brilliant.
Eccessivamente da festival per i miei gusti, il tema trattato è pesantissimo ed il ritmo e lo svolgimento narrativo tendono senz'altro a rendere il tutto fin troppo prolisso. Certo i piani sono notevoli,la messa in scena della Romania è fantastica(davvero ogni inquadratura trasuda squallore) e la direzione artistica è di assoluto livello (soprattutto il "macellaio"). Però non è riuscito a emozionarmi.