The obvious comparisons are 'Betrayal' by Pinter and 'Irreversible' by Noe. Most extreme goes to Noe, though the brutality in '5x2' is much more personal. Pinter is such a gifted writer that he doesn't have to have his characters resort to physical violence. The violence is in the dialogue. These 3 all have that somewhat sickly sweet endings/beginnings that we'd love to remain in. But life moves on.
A more engaging use of the reverse narrative structure previously employed in Noe's Irreversible, with fall again preceding decline. A tad cold and obvious but nevertheless a decent example of the French talking-heads mode of middle class cinema with enough home truths between the cool exposition to make this generally satisfying viewing. A pair of well judged performances from the leads help lead the conviction.
Despite the fact that I enjoy how Ozon creates more questions than provides answers throughout this film, it's still too simple and quite dull. I needed more fodder and sadly this film didn't provide. I've seen three other Ozon films, and they've all been better than this.
Beautiful and tragic. Distant and cold, with sprinkles of happiness. A story of a decaying marriage told in reverse order to help pinpoint when the decline began. Ozon's comedic and satirical ventures, such as 8 Women and Potiche are loads of fun. But it's his serious films, 5x2 and Time to Leave, that venture deep into the heart of the soul and yields some of the most raw emotions and cinematic gold.
At the end of the film have a scene whose composition is a remarkable masterpiece, which helps in the end, to summarize that our relationship with love: we know the risks they run when we fully expose and cast ourselves in a new venture love so to speak. But still, we could not live without this feeling that we are happy and we need someone. www.cinemadebuteco.com