Shot in black and white and generous in its use of clips from "Psycho" and other movies, "78/52" looks at virtually every aspect of the shower scene—including the staging, the production design, the music and sound effects, the camera work, Saul Bass' storyboards, etc.—and marvels at how brilliantly integrated they were. The word "genius" is heard more than once, and the more the film shows us, the less even hardened skeptics will be likely to demur.
Godfrey Cheshire
October 13, 2017