Only feature film by Patrick Van Antwerpen in which a day in a supermarket in the Brussels region is observed. The story of this day’s little events, both comic and touching, provides the general framework of the film.
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Like a much, much less heavy-handed Chantal Akerman that's like an ointment for your existential crisis. Even the few almost slapstick moments fit in nicely. Akerman's films are also much more aesthetically pleasing. It can be debated which one gets the most points on the existential scale.