A dissenting voice: a film as tedious as this does have positive value. One realizes the need for a third notion of time, other than reel time (time in film) and real time (clock time elapsed), one needs a felt time (Bergsonian time, how long one feels a shot lasts). By that measure this film sure do last an eternity.
Rewatched and revalued. A film that as in Oliveira's "The Past and the Present" Mendelssohn's music establishes an ironic rhetoric under which images "romanticize" a vaudeville comedy with the help from Impressionism and a wise exploration of the magic lantern as a projector of proficuous wishes, a metaphor par excellence of cinema. As in Shakespear's magic forest, desires liberate themselves and create nostalgia.
I can think of several Woody Allen movies that just sort of meander then pull out a home run in the last 5 minutes, completely making the movie for me and forcing me to forgive all of the bullshit I was subjected to for the past hour. Unfortunately A Midsummer Night's Sex Comedy did the opposite, having me on the hook then completely losing me with the silly light show and Jose Ferrer's disembodied voice.
Apparently the script was written in two weeks and you can evidently see its shortcomings throughout the film. The plot and characters are rather thinly worked upon, but in spite of this, the film retains an ethereal quality through its cinematography and art design. The countryside is truly alluring and it, along with the charming cast, provides the film with the necessary backbone that makes it watchable.
Probably Woody's weakest effort. He apparently wrote in a couple of weeks and it shows. The dialogue is a little too on-the-nose and all of the themes are just outright stated by the characters. Great setting but the potential is wasted. And playing a rape scene for laughs is never a good thing.
Allen ha sempre la capacità di mettere in ogni suo film almeno 10-15 minuti che inchiodano allo schermo.E anche questa commedia leggera,che nell'omaggio a Shakespeare riesce a infondere un pò di misticismo alle consuete situazioni grottesche,non è da meno perchè i piani nella radura(soprattutto l'ultimo) valgono tutto il film.I pezzi con la moglie vogliosa sono forti e i dialoghi sempre misurati e intriganti.3,5*
Me sorprendió gratamente esta película de Woody Allen de la que tan poco se habla. Hay un equilibrio muy logrado entre la comedia, las inquietudes filosóficas y la magia; además aquí Allen y Gordon Willis siguieron experimentando con los planos secuencias y el espacio vacío con los personajes hablando en off, tal como habían hecho en Annie Hall y en Manhattan.