In the late seventies, De Melkweg was built in Amsterdam to host music, dance, theatre and film. This is a fragmentarily edited film ‘a Melkweg-in-film’, a fictional space that the world rolls through and where a number of lives meet.
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An unexpected exercise of simplicity by Keuken: its close connection with the subject led to a lack of relevance, in his political analysis and of substantiation, in its formal aspect. An editing more rhetoric than dynamic, a very nonchalant perspective of looking.