Muy buena película. Excelente trama que acaba siendo un gran espejo en el que se refleja la sociedad de este siglo. Comparable al film argentino "Relatos Salvajes", los personajes llegan al límite. Impotencia y frustración, son las palabras clave, acabando en el pecado más conocido, pero no menos raro, la matanza. El punto débil, desde mi perspectiva, sería la cuarta historia que se sale del patrón anterior.
Unsettling. This is my second Jia after Platform, and I can sort of discern from everyone’s reviews that this is not his usual shtick, but I nonetheless find this project transfixing, even though it’s often more than I can handle. The third bit in particular shook me up.
Wow. This movie hits you like a block of concrete. In each episode the main characters are searching for something, be it revenge and recognition or love or money, but always the search ends up with violence, the defining feature of the world these people are living in. Hardcore critical realism.
Quattro peccati per quattro soddisfacenti capitoli. Le storie di quattro persone comuni si intrecciano in un' unica soluzione narrativa toccata dal peccato in tutte le sue parti. Zhangke dimostra egregiamente di saper comporre scene, accompagnato da una fotografia dai colori stupendi e da quattro attori che tutto sommato stanno bene nella parte. La narrazione poteva essere arricchita un pelo di più.
8 - Less a film about a nation smothering its citizens than one about said citizens lashing back like people realistically would; in wild, enraged thrashings destined to cause more harm than good. There is very little catharsis here, and even fewer prospects for a better tomorrow.
Impitoyable et sombre kaléidoscope de la Chine d'aujourd'hui, à travers quatre histoires adaptées en partie de quelques fait divers réels qui illustrent avec une certaine froideur, en forme de constat clinique et cinématographique, l'état de déliquescence d'une société qui n'a pu gérer l'émergence massive de la modernité, engendrant ainsi de graves disparités humaines et sociales. www.cinefiches.com
brilliant images, surreal humour, a great moral core. starts off in blazing, cathartic fashion but the anthology format jolts the flow - these characters and stories are drawn with complexity and deserve more time. western critics seemed all too happy to see this as a critique of modern china, but there is warmth and humanity here too. will also make you want to eat apples on a bike with a coat like dahai's.
Jia takes a portmanteau approach and depicts the dehumanising shadow of China's recent socio-economic transformation. He does so with stylistic élan, mixing up genres and providing a vivid canvas of urban and rural landscapes. This is a world that breeds sociopathy and where the innocent find themselves compelled towards acts of violence and despair. The entire piece is propelled by a sense of urgent rage.
Interesting study and reflection on modern China. Powerful and brutal at times, but unfortunately so is the reality... I really enjoyed the story, characters and how subtly they connect while each of them is very different and brings new elements to the experience. The acting is minimalistic, so is camerawork which seems to be a good choice, as the film's approach is very down-to-earth and direct. Great!