At the request of the UN’s International Fund for Agricultural Development, Abbas Kiarostami and his assistant, Seifollah Samadian, arrive in Kampala. For ten days, their DV camera captures and caresses the faces of a thousand orphans.
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Abbas Kiarostami's style of documentary should be norm, lacking in talking heads and exposition and instead focusing on visually showing struggle and oppression. All while quietly portraying an outsider's journey through a culture alien to his own and creating a beautiful little gem of a movie.