Precisely edited to the start-stop rhythm of a martial beat and post-punk rock music, Absolutions glories in organized disjunction, juxtaposing images of the artist collapsing to the ground with bursts of wildly scrambled electronic distortion.
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It looks likes Raya Martin's Buenas Noche's Espana, but this one is more raw. It shows how pliable or mutable a film image is and how largely dependent it is to the choice of technology. This relationship between filmmaking and the current imaging technology is highlighted in the film in a visual sense. One unique avant-garde film. :)