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För att inte tala om alla dessa kvinnor

Ingmar Bergman Sweden, 1964

ASHES IN THE HOURGLASS's rating of the film All These Women

Nowhere near as bad as its reputation leads it to be, it just so happens to be sandwiched between his Faith Trilogy and his masterpiece, Persona. On its own, its a mildly enjoyable comedy with nice touches of the fantastic. There's also hints that the chauffeur and the cellist are the same, the artist and the man, with the wife being dragged along this affair to keep his obsession in check. Not incredible, but decent