This Cymbeline moves fast, and it can be a challenge to keep up, given the story's mercurial tone shifts: It unfolds like a tragedy, gradually shedding all its armor until it winds up, naked and a little crazy, as something of a comedy. But all this madness has a purpose, as Almereyda shows us. With its shootouts, its subcurrents of tenderness and eroticism, its trick-or-treat mischief-making, this Cymbeline is brash and inventive and more than a little wild.
Stephanie Zacharek
March 10, 2015