Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon. Divided between the quiet solitude of the river and the family ties that wash him ashore, the film follows Albertino Lobo, as nature renews itself with each season cycle.
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Melhor cineasta jovem a trabalhar em Portugal por estes dias. A capacidade que a Leonor tem de tornar o pessoal e familiar em universal é mais que um talento, é um dom. Franqueza é uma arma quente.#Mãe: "Queres ouv-, queres ir ver o panda? (Alice acena positivamente) Não vais ver o panda! Não vais, sabes porquê? Porque tu não comes batatas nem grelos. (pausa) Queres batata? (Alice: "não"). Então não há panda."> LMFAO
The school's academic application of the classic frame is irreproachable, hence many frames seen from below with the human figure cut out in the blue sky - as in a Vidor or Ford, and are good. But there is no perspective, in structural and personalized terms, on the people and spaces that are filmed - it's just filming what's up, it's a kind of withdrawal.The sound bridges are so banal that they emphasize annoyance.
It doesn't matter if you make beautiful shots with a worker against the deep blue sky, if you don't have anything to say unless repeating the formulas that you learn in school trough american cinema. It's a not a gesture of dignity, it simply an empty gesture and it doesn't add anything of what we see already thousands of times and much better. The lack of personal language reflects on the lack of interesting moments