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josé neves's rating of the film Austerlitz

Lisboa, in these tourist times, it's also an area devastated by a pathetic voyeuristic irruption, being a space in its history of many horrors and misfortunes. In the case of the Holocaust, the images that in their spaces are currently captured should be restrained by a special ethics? The film by refusing a dialectic on the images points out a finger and loses dimension. But points out right,, formally speaking.