Thirty years after the Brazilian dictatorship, Michael Wahrmann is afraid its victims will be forgotten. This inspired him to make his first feature, in which he incorporates his own experiences as a young left-wing militant in Israel alongside themes such as family traumas and suppressed memories.
Thirty years after the Brazilian dictatorship, Michael Wahrmann is afraid its victims will be forgotten. This inspired him to make his first feature, in which he incorporates his own experiences as a young left-wing militant in Israel alongside themes such as family traumas and suppressed memories.