Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who can’t stay committed to anything in life for very long.
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Plot is bare bones, and there a few too many numbers for its own good, but you get Astaire's Puttin On The Ritz routine, which is arguable his best work outside of his Mr. Bojangles number in Swing Time. One and a half stars added for this sequence alone. Rest of the film is ho-hum with nice but ultimately forgettable songs, besides White Christmas.