An impassioned history, I have not seen the very film the trailer, an idea is of what sometimes emigration can do, the status of solitude, seems educational for the people that have not had this type of encounters, and she is experienced, no proving to be morbid, neither pornographic so that you look at yourself in the trailer.
Uma fenomenologia da aparição proletária, preta e viada. O poder dos corpos que na ausência de representatividade criam formas de aparecer - para e com o outro. Trata-se de uma estética do chão de fábrica, em que as minorias constróem um espaço de afetos não necessariamente conciliante mas acolhedor.
Digital. Queer Lisboa. I don't know if Caetano refers to Whitman's poem, "The armies of those I love engirth me and I engirth them," but in the film everything in the way it structures and densifies a community of affections, which is also a work collective, along with the protagonist's encounters with various sexual partners, seems to correspond to a naturalistic staging of the poem, a song for the body electric.