BODY HEAT is an impressive debut from writer/director Lawrence Kasdan. Although, it keep reminds me to DOUBLE INDEMNITY. This movie still able to create a different perspective for this kind of storytelling. The plot is very intriguing and interesting. Kathleen Turner and William Hurt as the main character is really stunning. Especially Kathleen Turner whose performance always amazed me. BODY HEAT is a great thriller
Body Heat corrects the non-inherent problems in its forerunner, Double Indemnity. The suspense and tension is raised in the initial affair scenes with the fear of getting caught, and it lacks the 1940's censors, sizzling with eroticism. It also neglects many of the dull scam-theory expositions of it too. Yet, Body Heat still shows that the initial idea is still quite ordinary in its plot and non-unique in its story.
The soundtrack is what stands out right away for me. That combined with the opressive feeling of heat the weather is creating give the movie a lethargic yet sultry feel. The dialogue and plot are clear nods to noir, as is pointed out by all viewers yet the limitations on noirs in regards to sexuality don't apply here. This movie is all about sex, hot passion, and murder. Recommended!!
(...)Seine Charaktere wirken modern und doch sprechen sie so miteinander, als ob sie gerade aus den 40er Jahren angereist kämen. Am besten ist der Dialog, in dem Turner und Hurt ihr Verbrechen planen. Normalerweise versuchen sich die Täter zuvor selbst zu rechtfertigen. Die Tat soll so entschuldbar sein, zumindest für sie selbst. In Body Heat aber erklärt Ned: “That man is gonna die for no reason but we want him to(.
Kasdan takes sexuality and moodiness from film noir and turns them into the pervasive driving force of a thrilling neo-noir. Turner sizzles and Hurt is the epitome of a duped male. There is, however, something missing that I can't quite point my finger to, but overall an entertaining film that stands on its own as well, not requiring much knowledge of film noir.