Drama that feels natural and is beautifully acted with a comedic realism seldom seen in American comedies. The film is full of dry, witty dialogue and the director seem to have an inside-information about the news industry. It documents and predicts the trends from hard "real" news to tabloid gossip. Jack Nicholson has a great small but important role as a legendary newsreader. I love the cast in this one.
This is a wonderful, hilarious, poignant comedy that balances tones in a style unseen today. A true artifact of 1987 and cinema of the 80s, Broadcast News deserves it's reputation. The cast is universally excellent - Holly Hunter has never been better ever. She should have won Best Actress over Cher - no question. The cold open that introduces our three main leads is marvelous and perfectly captures each character.
2.5 stars. Despite its applaud-worthy result, the love triangle aspect is painfully clichéd and dull (not to mention that I found Brooks's character insufferable). I wish there had been more room for examining the unethicality of sensationalist journalism. As such, Broadcast News balances between a romantic comedy and a biting drama about the media, failing miserably in both. That said, it was fairly entertaining.
One of the best written movies there is. The conversations are as authentic and real as real life conversations while on top of that manages to be clever and on the mark. Great movie about relationships in and out of the job world. The actors portray their characters with incredible depth. Everybody says one thing, but means another. It goes to show it's how you use your words is what truly matters.
I love Albert Brooks. The academy showered this one with noms, and for good reason for a change. Good film poking fun at journalism, but others have done so better (His Girl Friday, Network). For me, this movie is more of a character story than those however and makes it unique. Nicholson has a nice little role as well. 4.5 stars
Three flawed, beautiful, intelligent characters who have their reasons. People don't talk like this to each other in movies anymore – for those who attempt it we get sub-Woody Allen Manhattanite talk from the adverb-spewing likes of Whit Stillman, or sub-Wes Anderson quirk-talk emulating modern Chekhov or some shit. This has to be the best-paced film I've ever seen, filled with wisdom and pathos.
About an hour too long, way too cutesy and punishingly dull thanks to a thin story that dabbles between a cliché love triangle scenario and a completely childish portrayal of the journalism industry. Not sure why this film received so many accolades, but Hurt deserves none for this role and was the weakest member of an unimpressive cast. BUT: was pleased that Hunter's female lead ended up choosing career over men.
2 1/2 out of 5 stars. All the 80s-ness of Broadcast News was too much for me (the score was putrid and is the elevator music in hell) but when it was funny it was really funny, namely any scene with the underrated Albert Brooks. Jack Nicholson was a nice surprise but beyond that my life isn't any more fulfilled for seeing this movie.